Ren Adams
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These are from several different series, so they may not visually go together. I am expecting they will let me put one or two pieces in, so the disconnect wouldn't matter.
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Self-Portrait as Jimmy

Two variants. I would submit both as options for the same entry. 
Experimental photography with digital glitch. Output at 11x14 as aluminum print (slick), or as 11x14 metallic luminous print on float backing. Smallish portrait size.
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Unraveling in this Cinema of Errors

Output on luminous metallic photo paper. 8x10, 11x14 or 16x20. With standouts to pop off wall.
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Our Best-Laid Plans are Written on Tablets of Wax

Two possible variants. Output on true white fine art paper, super heavyweight matte with bright white undertones. Size probably 16x20 or 11x14.
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Picture

Sincerely Yours, Buck Jones

Variants of the same piece, or two could be installed as a diptych. Output on luminous metallic photo paper, with standout backing so it pops off the wall. Could go portrait size 8x10 or 11x14, or could be 16 x 20.
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We were not Spared

Could be output on either the matte white or luminous metallic photo paper. 11x14 or 16x20.
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No Tomorrow in our Yesterday-Hotel

Could be output on either the matte white or luminous metallic photo paper. 11x14 or 16x20.
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I Cannot Rise Where I Have Fallen (this melting sadness of eyes and lips)

Lost in the Faint-light of our Disconnect

Output on either fine art bright white paper or luminous metallic photo paper. 11x14 or 16x20.
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Things Falling Apart (I am nothing)

Output on bright white fine art matte paper. 11x14 or 16x20.
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The Storm is Broken (Dead Man Standing)

Two variants (only one would be selected). Output on luminous metallic photo paper, with standout so it pops off the wall. 8x10, 11x14 or 16x20.
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Waiting in my Kingdom of Ruin

Output on bright white, matte artist paper. 11x14 or 16x20. 
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In Each, Last Moment

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In these Quiet Ruins

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In the Buzz-Blue of Fading (Little) Kingdoms

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Nothing Matters in this Forever-Fade

Output on bright white,  matte artist paper. 11x14 or 16x20.
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